Wednesday, 3 July 2013

Parvaneh Farid is launching an exhibition of mixed media art - Translating the Lines

Parvaneh Farid
PhD -PaR- candidate
The University of Winchester
T: 07850 160 661

Parvaneh Farid is an Iranian born “Mixed Media” artist who started her creativity in her childhood. She took interest in designing and making her own toys, dressing them up and making things out of garden mud and leftover plaster. From the age of eight she was admired for her outstanding ability in drawing, calligraphy and expressive writing; and as a teenager she taught herself to paint in oil.
Her student life in Iran was interrupted by the death of her parents. Her parental heritage was confiscated by the government and her right to higher education was denied due to her affiliation to the Baha’i faith. As a result, she left her homeland for the West and arrived in the UK where she naturalised and began to work as an au-pair before doing her nursing training. During this period, she returned to her art in her free time, taught herself clay modelling and took some singing lessons.
After she qualified as a nurse, she turned to academic art and attended Anglia Ruskin University, Winchester School of Art, the University of Winchester, Kent Institute of Art and Design and the University of Cambridge, achieving an undergraduate certificate in music, a BA in sculpture, an MA in graphic fine art and a PGCE in creative art.
Currently, Parvaneh is doing a “Practice as Research” PhD in art at the University of Winchester on the notion of the commonality of invisible and visible lines in various art formats. She believes: Breaking through the fear of translating the lines of one art format into another provides the artist with an opportunity to find him or herself in a virgin world of possibilities. It allows the artist to feel free to see, to express him or herself, and to create work in an innovative manner, regardless of what is expected of him or her. That could be partially due to being a beginner in a new field which has not imprinted its norms on his or her mind.” 
Parvaneh also gained a postgraduate certificate in Women’s Studies and used the language of art in portraying the uprising of Iranian women and the role of the veil, or “hejab”. She is studying the life and work of notable Iranian women; Tahirih, Parvin Etesami and Forough Farrokhzad, whose poetry could be regarded as a chain of turning points in the emancipation of Iranian women.

Parvaneh’s previous exhibitions “Looking Like a God” and “A Silence to be Heard” won her the “Clyde Hopkins Award for Valorous Art”, the “Linda Granade Memorial Trust Prize” and the “CPL Sculptural Photography Prize”, and received some media coverage. She is now launching another exhibition of her mixed media art: “Translating the Lines”. This exhibition is open to the public, and onlookers are invited to step into her life as a British artist who began her academic career in exile from her native Iran.